| dc.contributor.advisor |
Párnický, Stanislav
|
|
| dc.contributor.author |
Mikalová, Veronika
|
|
| dc.date.accessioned |
2012-03-09T04:29:41Z |
|
| dc.date.available |
2012-03-09T04:29:41Z |
|
| dc.date.issued |
2011-09-15 |
|
| dc.identifier |
Elektronický archiv Knihovny UTB |
cs |
| dc.identifier.uri |
http://hdl.handle.net/10563/15087
|
|
| dc.description.abstract |
Tato diplomová práce pojednává o tvorbě psychologie postavy. Ve stručnosti popisuje filmové teorie 20. století, které ovlivnily filmovou postavu. Předkládá způsoby tvorby postavy od scénáře k filmu. Zabývá se divákem a jeho spojením s postavou. A také analyzuje film Inception. |
cs |
| dc.format |
53s. (94 612) |
cs |
| dc.format.extent |
2159269 bytes |
cs |
| dc.format.mimetype |
application/pdf |
cs |
| dc.language.iso |
cs |
|
| dc.publisher |
Univerzita Tomáše Bati ve Zlíně |
|
| dc.rights |
Bez omezení |
|
| dc.subject |
Fakulta Multimediálních Komunikací
|
cs |
| dc.subject |
psychologie postavy
|
cs |
| dc.subject |
divák
|
cs |
| dc.subject |
scénář
|
cs |
| dc.subject |
režie
|
cs |
| dc.subject |
film
|
cs |
| dc.subject |
Inception
|
cs |
| dc.subject |
Chris Nolan
|
cs |
| dc.subject |
sny
|
cs |
| dc.subject |
Faculty of Multimedia Communications
|
en |
| dc.subject |
psychology of the character
|
en |
| dc.subject |
viewer
|
en |
| dc.subject |
scenario
|
en |
| dc.subject |
direction
|
en |
| dc.subject |
film
|
en |
| dc.subject |
Inception
|
en |
| dc.subject |
Chris Nolan
|
en |
| dc.subject |
dreams
|
en |
| dc.title |
1. Teoretická část: Psychologie postavy od scénáře k filmu 2. Praktická část: Dokument, 22 minut - režie |
cs |
| dc.title.alternative |
1. Theoretical Part: Psychology of the Character from Screenplay to Feature Film 2. Practical Part: 22-minute Documentary - Directing |
en |
| dc.type |
diplomová práce |
cs |
| dc.contributor.referee |
Janíková, Jana |
|
| dc.contributor.referee |
Labík, Ludovít |
|
| dc.date.accepted |
2011-10-10 |
|
| dc.description.abstract-translated |
This Diploma work deals with creation of a movie character. It briefly refers about 20st century film theories, which influenced movie character. It advances ways how to create a movie character from scenario to movie. It deals with viewer and his connection to the movie. And it also analyses the movie Inception. |
en |
| dc.description.department |
Ústav animace a audiovize |
cs |
| dc.description.result |
obhájeno |
cs |
| dc.parent.uri |
http://hdl.handle.net/10563/183
|
cs |
| dc.parent.uri |
http://hdl.handle.net/10563/220
|
cs |
| dc.thesis.degree-discipline |
Režie a scenáristika |
cs |
| dc.thesis.degree-discipline |
Directing and Screenwriting |
en |
| dc.thesis.degree-grantor |
Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací |
cs |
| dc.thesis.degree-grantor |
Tomas Bata University in Zlín. Faculty of Multimedia Communications |
en |
| dc.thesis.degree-name |
MgA. |
cs |
| dc.thesis.degree-program |
Teorie a praxe audiovizuální tvorby |
cs |
| dc.thesis.degree-program |
Theory and Practice of Audiovisual Arts |
en |
| dc.identifier.stag |
18929
|
|
| dc.date.assigned |
2011-01-31 |
|
| utb.result.grade |
A |
|
