| dc.contributor.advisor |
Malachovská, Iveta
|
|
| dc.contributor.author |
Kösegi, Peter
|
|
| dc.date.accessioned |
2013-10-13T03:36:54Z |
|
| dc.date.available |
2013-10-13T03:36:54Z |
|
| dc.date.issued |
2012-11-30 |
|
| dc.identifier |
Elektronický archiv Knihovny UTB |
cs |
| dc.identifier.uri |
http://hdl.handle.net/10563/24889
|
|
| dc.description.abstract |
Obsah práce je zameraný na zmapovanie technológií používaných pri audiovizuálnej tvorbe. Konkrétne ide o rôzne typy záznamu ich výhod a nevýhody, o kamery a ich porovnanie v rôznych kategóriách vzhľadom na použitie, mikrofónom a optike. Ďalšie kapitoly sa venujú 3D technológii, stabilizačným kamerovým zariadeniam a niektorým postprodukčným technológiám. Nakoniec sa ešte budeme zaoberať tým, ako to funguje v televízii a technickej časti distribúcie audiovizuálnych diel k divákovi. |
cs |
| dc.format |
92 s. |
cs |
| dc.format.extent |
5830815 bytes |
cs |
| dc.format.mimetype |
application/pdf |
cs |
| dc.language.iso |
cs |
|
| dc.publisher |
Univerzita Tomáše Bati ve Zlíně |
|
| dc.rights |
Bez omezení |
|
| dc.subject |
televízia
|
cs |
| dc.subject |
film
|
cs |
| dc.subject |
SD
|
cs |
| dc.subject |
HD
|
cs |
| dc.subject |
3D
|
cs |
| dc.subject |
kamery
|
cs |
| dc.subject |
mikrofóny
|
cs |
| dc.subject |
svetlá
|
cs |
| dc.subject |
stabilizátor
|
cs |
| dc.subject |
filmové triky
|
cs |
| dc.subject |
kľúčovanie
|
cs |
| dc.subject |
formáty obrazu
|
cs |
| dc.subject |
štúdio
|
cs |
| dc.subject |
DCP
|
cs |
| dc.subject |
DVB
|
cs |
| dc.subject |
television
|
en |
| dc.subject |
film
|
en |
| dc.subject |
SD
|
en |
| dc.subject |
HD
|
en |
| dc.subject |
3D
|
en |
| dc.subject |
cameras
|
en |
| dc.subject |
microphones
|
en |
| dc.subject |
lights
|
en |
| dc.subject |
stabilizer
|
en |
| dc.subject |
film tricks
|
en |
| dc.subject |
keying
|
en |
| dc.subject |
image formats
|
en |
| dc.subject |
studio
|
en |
| dc.subject |
DCP
|
en |
| dc.subject |
DVB
|
en |
| dc.title |
1. Teoretická část: Současné technologie a jejich význam při výrobě audiovizuálních děl 2. Praktická část: Časosběrný dokument: "Škola, základ života", produkce |
cs |
| dc.title.alternative |
1. Theoretical part: Current Technology and its Importance in the Production of Audiovisual Works 2. Practical part: Time-lapse documentary film school, the base of Life, production |
en |
| dc.type |
diplomová práce |
cs |
| dc.contributor.referee |
Burianek, Vladimír |
|
| dc.date.accepted |
2013-06-11 |
|
| dc.description.abstract-translated |
The content of the disertation is focused on mapping technologies used in the audiovisual creating. In particular regard to the various types of recording their advantages and disadvantages of cameras and their comparison in various categories with regard to the use, microphone and optics. Other chapters represent the 3D technology, stabilizing camera devices and some technologies in postproduction. Finally, we will reveal how it works on television and on the technical part of the distribution of audiovisual works to the spectators. |
en |
| dc.description.department |
Ústav animace a audiovize |
cs |
| dc.description.result |
obhájeno |
cs |
| dc.parent.uri |
http://hdl.handle.net/10563/183
|
cs |
| dc.parent.uri |
http://hdl.handle.net/10563/220
|
cs |
| dc.thesis.degree-discipline |
Produkce |
cs |
| dc.thesis.degree-discipline |
Film Production |
en |
| dc.thesis.degree-grantor |
Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací |
cs |
| dc.thesis.degree-grantor |
Tomas Bata University in Zlín. Faculty of Multimedia Communications |
en |
| dc.thesis.degree-name |
MgA. |
cs |
| dc.thesis.degree-program |
Teorie a praxe audiovizuální tvorby |
cs |
| dc.thesis.degree-program |
Theory and Practice of Audiovisual Arts |
en |
| dc.identifier.stag |
29227
|
|
| utb.result.grade |
C |
|
| dc.date.submitted |
2013-05-14 |
|
