| dc.contributor.advisor |
Labík, Ludovít
|
|
| dc.contributor.author |
Lukáč, Milan
|
|
| dc.date.accessioned |
2017-07-03T09:12:56Z |
|
| dc.date.available |
2017-07-03T09:12:56Z |
|
| dc.date.issued |
2016-12-01 |
|
| dc.identifier |
Elektronický archiv Knihovny UTB |
|
| dc.identifier.uri |
http://hdl.handle.net/10563/39757
|
|
| dc.description.abstract |
Táto práca je zameraná na problematiku teórií Roberta McKeeho, ktorý je priekopníkom vo vnímaní štruktúry filmového rozprávania. V úvode práce sú pomeno- vané teórie, pojmy a prístupy, ktoré súvisia s McKeeho teóriou beatov, dramaturgickou stavbou filmu, činiteľmi sprostredkujúcimi posun deja, americkým a európskym vnímaním filmu a McKeeho prístupom k analýze beatov. Konkrétna teória je využitá na analýzu filmov Ethana a Joela Coenovcov. Následne je aplikovaná do praxe v dokumentárnom filme. Metódou skúmania pozitívnych a negatívnych nábojov klimaxov sa poukazuje na kontrasty a vedenie prevládajúcich ideí vo filmoch No Country for Old Men, Fargo, Inside Llewyn Davis a Burn After Reading. |
|
| dc.format |
76 |
|
| dc.language.iso |
sk |
|
| dc.publisher |
Univerzita Tomáše Bati ve Zlíně |
|
| dc.rights |
Bez omezení |
|
| dc.subject |
Prevládajúca idea
|
cs |
| dc.subject |
Kontrola ideí
|
cs |
| dc.subject |
Pesimistická idea
|
cs |
| dc.subject |
Idealistická idea
|
cs |
| dc.subject |
Ironická idea
|
cs |
| dc.subject |
Beat
|
cs |
| dc.subject |
Robert McKee
|
cs |
| dc.subject |
Ethan Coen
|
cs |
| dc.subject |
Joel Coen
|
cs |
| dc.subject |
No Country for Old Men
|
cs |
| dc.subject |
Controlling Idea
|
en |
| dc.subject |
Control of Ideas
|
en |
| dc.subject |
Pessimistic Idea
|
en |
| dc.subject |
Idealistic Idea
|
en |
| dc.subject |
Ironic Idea
|
en |
| dc.subject |
Beat
|
en |
| dc.subject |
Robert McKee
|
en |
| dc.subject |
Ethan Coen
|
en |
| dc.subject |
Joel Coen
|
en |
| dc.subject |
No Country for Old Men
|
en |
| dc.title |
1. Teoretická část: Ironická kontrola idejí podle Roberta McKeeho. 2. Praktická část: Audiovizuální dílo nebo tematický soubor audiovizuálních děl, délka minimálně 20 min., stříhová skladba |
|
| dc.title.alternative |
1. Theoretical part: Ironic controlling ideas by Robert McKee. 2. Practical part: Audiovisual work or thematic set of audiovisual works. Length at least 20 min., editing |
|
| dc.type |
diplomová práce |
cs |
| dc.contributor.referee |
Polenský, Tomáš |
|
| dc.date.accepted |
2017-06-05 |
|
| dc.description.abstract-translated |
This thesis is discussing issue of Robert McKees theories. Robert McKee is a revo- lutionarist in thinking about the film structure. First part of this thesis explains basic theo- ry, terms and approaches which are related with Robert McKees theory of beats, film structure, elements for plot development, american and european perception of a film and McKees analysis of beats. This theory is used for an analysis of films, made by Ethan and Joel Coen. Theory is applicated into the documentary genre. With the method of ana- lysis positive and negative charges of climaxes, points out the contrast and control of con- trolling ideas in movies No Country for Old Men, Fargo, Inside Llewyn Davis and Burn After Reading. |
|
| dc.description.department |
Ateliér Audiovize |
|
| dc.thesis.degree-discipline |
Audiovizuální tvorba - Střihová skladba |
cs |
| dc.thesis.degree-discipline |
Audiovisual Arts - Film Editing |
en |
| dc.thesis.degree-grantor |
Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací |
cs |
| dc.thesis.degree-grantor |
Tomas Bata University in Zlín. Faculty of Multimedia Communications |
en |
| dc.thesis.degree-name |
MgA. |
|
| dc.thesis.degree-program |
Teorie a praxe audiovizuální tvorby |
cs |
| dc.thesis.degree-program |
Theory and Practice of Audiovisual Arts |
en |
| dc.identifier.stag |
45144
|
|
| utb.result.grade |
A |
|
| dc.date.submitted |
2017-05-09 |
|
